Box 15

Scope and Contents From the Collection: The Harold S. Powers papers include manuscripts; research and pedagogical materials, including notes, handouts, transcriptions, analyses, and maps; and audio materials, including reel-to-reel tapes, cassette tapes, and compact discs—all associated with Powers’s musicological, ethnomusicological, and theoretical work related to mode in the musics of India, Java, the Middle East, Japan, Central Asia, Southeast Asia, and Europe. The series are arranged by various geographic entities, including...

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"Naga-uta: Goro // Tsuru-kame" (text handwritten on reel-to-reel tape tail)

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Tracklist handwritten on paper inside of reel-to-reel tape box; "Uighur maqāmāt; navā; muśāvrak" (text handwritten on reel-to-reel tape tail)

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Tracklist handwritten on paper inside of reel-to-reel tape box; "207: Burma (saung, patala, etc.)" (text handwritten on reel-to-reel tape tail)

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"1. kudyapi (Mindanao), 2. khène (Laos), 3. chapei (Cambodia)" (text handwritten on back of reel-to-reel tape box)

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"Sessions May 24, 1971, Parts I & II 7 1/2 stereo, Cantata, pts. I & II, "When lilacs last in the dooryard blooméd"" (text handwritten on back of reel-to-reel tape box)

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"Sessions May 24, 1971, Parts III 7 1/2 stereo, Cantata, pt. III, "When lilacs last in the dooryard blooméd", University Chorus and Orchestra, U.C. Berkeley, Michael Senturia, conductor, James Cunningham, choral director, Stephanie Friedman, contralto, Helen Joseph, soprano, Allen, baritone" (text handwritten on back of reel-to-reel tape box)

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Copy of exam on paper inside of reel-to-reel tape box; "207: Sp 1981, 2nd quiz (Javanese)" (text handwritten on reel-to-reel tape tail)

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Tracklist and copy of exam on paper inside of reel-to-reel tape box; "207 (Sp 81): final exam tape (India, Mideast)" (text handwritten on reel-to-reel tape tail)

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Tracklist printed on paper inside of reel-to-reel tape box; "International Segāh" (text handwritten on reel-to-reel tape tail)