Box 1

designed & printed by Patrick B. Bauer, under the direction of Master Printer David Schorr, during the warm days and nights of May, 1972. Typeface: Bembo. Cover title: Endings J. Barlow

Set in 10 pt. Caslon and printed on a Washington hand press…during the days before and after Christmas, 1972.

Arranged and printed for her dear friend Mary by Carol Dick, this small book of eleven poems was handset in Palatino type and printed on a Washington Press..Spring 1972

printed by Kit Lynes in the sweet and merry month of May, 1972, in the dank and dreary Davison Art Center in 10 point Caslon and 52 point Baloney Bold.

Set as time and type ran short in 14 point Caslon Roman. Designed and printed by Gary S. Jacobson at the Davison Art Center of Wesleyan University, Middletown, Connecticut, in the Spring of 1972

This little ditty was done unfortunately on the Washington hand press in Caslon type, in haste by Jeffrey Graber in December 1972. Of an eidtion [sic] of 7, this is number 1.

The 9th copy of thirty, illustrated and printed on Umbria paper by Megan Brook at Wesleyan University, Connecticut, in the spring of the year 1973; the text, handset in Bembo roman, on a Washington handpress, and the illustrations from etched plates on a Brand press. Signed by the printer.

This calendar was handset in Palatino and Caslon, and printed on an Ostrander Seymour press with infinite and undue frustration. The paper is Strathmore Charcoal. Authors of the quotations are as follows: Winter: Melville Crane; Spring: Gerald M. Hopkins; Summer: Elizabeth Bishop; Fall: John Keats. This is copy 1 of an edition of twenty. Dedicated to the friends who sustained me during the printing.

This book was hastily designed in the Spring of 1973 by Stephen Sullivan, and printed at the Butternut Press, Middletown, Connecticut.

Design, etchings and printing were conceived and executed by Eleanor Martin. Printed on Rives paper on a Washington Press,