Box 8

This book was designed, illustrated, and printed by Lizbet Carroll with an unexpected amount of fun on the Vandercook press in the Wesleyan Print Shop in the beginnings of December, 1984. it is set in Palatino on Rives lightweight. With thanks to John Tomanio and David Schorr, it is dedicated to an unknowing Sheila with a lot of love. In an edition of _ this is number _.

This is a collection of class work created by David Schorr's students over the years. It includes a variety of materials and book binding techniques applied by the student to create a unique book for their class project based on a chosen subject.

This is a collection of class work created by David Schorr's students over the years. It includes a variety of materials and book binding techniques applied by the student to create a unique book for their class project based on a chosen subject.

This excerpt from The Color Purple was designed and printed by Rhonda M. Berman in the Wesleyan Printshop, January, 1985. It is set in 10 point Palatino. This is copy number _ of an edition of 10.

This book was designed, handset, and printed by Deborah Edelman in the Wesleyan print Shop, during December and January, 1985-6. It was printed in 12 pt and 16 pt Bembo on Superfine white paper. The illustrations were designed by Karl Moel; hand-colored by Deborah Edelman. Thankyou to Cheryl and Gabby for moral support and friendship; and Karl, without whom this course would have been impossible. In an edition of 10, this is no. _

This book, designed and set by Ezequiel Mendez - with the help of the Lord God - in 12pt. And 16 pt. Bembo types on Mohawk Cream Superfine paper uner the direction of David Schorr - and moral support from Daniel Seltzer- in the print shop of Wesleyan University, Middletown, Ct. in December of 1985. Of an edition of 15, this is number _.

The text is excerpted from Gertrude Stein's The Making of Americans. The book was designed, illustrated and printed during the spring of 1985 by Adam Levy with the help of John Tomanio. The hand-set Helvetica Text and the illustrations were xeroxed onto arches text laid paper and bound in the Japanese manner. Thanks to David Schorr. Of an edition of 7 this is number _

This book was handset in 16 point Marlborough and illustrated by me, Lissa Doty, in the fall of 1985 at Wesleyan University. Of an edition of _, this is copy _.

Why a colophon? Ecause. Because I want you, dear reader, to know that this book, a half-semester project, was (due to innumerable ridiculous difficulties) designed, set and printed in five days. Please appreciate this. This is 12 point Bembo on superfine, printed by Anna Luhrmann at Wesleyan University, 1985. Thanks to Joe, Cheryl, Stan, Lissa, Andrea... and, of course, David Schorr. This is copy _of _.

This book was designed, set, and printed by Alexandra Fisher and illustrated by Mellissa Ehn at Wesleyan University, Middletown, Connecticut, in December of 1985. Set in 18 pt. Caslon, this is copy number _ of 5.