Box 19

This "book" was "designed" and printed in quark express in the "spring"semester of "2005" at Wesleyan University….this is book number _ of and edition of _.

This book was printed by Mike James in Middletown, Connecticut in the Winter of 2005. The type is Univers 45 Light, designed by Adrian Frutiger in 1956. The text is by Kenneth Ingram and was first published in 1940 in London. This is edition _ of 11.

This book was produced during the first snowfalls of December 2005 in various facilities of Wesleyan University's Center for the Arts by Margaret Alison Melville using QuarkXPress and the following typefaces: Adobe Caslon Regular, sizes 10 and 14; Adobe Caslon Bold Italic, size 100; Adobe Caslon Exp. Regular, size 250; Adobe Caslon Regular Small Capitals, sizes 12 and 22; and Cochin, sizes 8, 12 and 14. This is number _ in an edition of 10

This book was printed at Wesleyan University in the winter of 2005-2006 by Emma Sherwood Forbes. The text is adapted from W. S. Merwin's translation of Walking Around by Pablo Neruda. The book is printed on Sekishu paper. The text is set in Bembo and printed on a Vandercook press. The illustrations were created for this book. This is number _ of 5.

This book was designed and printed by Sarah Oshman on the Vandercook press at Wesleyan University in the winter of 2005. The type is set in 12 pt. Univers 55. Special thanks to David Schorr, Ben Oshman and Patricia Eyer for all of their time and patience. In an edition of 6 this is number _.

This book was designed and printed at the Wesleyan University print shop by Sasha Portis for Typography I. Winter 2005. Set in sixteen and twelve point Bembo. You are holding the _ edition of 2.

This book was printed in the windy December of 2005, at Wesleyan University, by Piya Shivdasani, under the guidance of David Schorr. It was designed in QuarkXPress, using Gill Sans type in Regular, Light, and Light Italic, point sizes 9, 11, 12, 20 and 40. This is number _ in an edition of 5.

This Book was printed at Wesleyan University in the Acedemic [sic] Year of 2004-2005 in Quark Express and Adobe Illustrator. It is printed on transparency paper and assorted vellum using a vareity [sic] of fonts. The essay has been selected and printed without the permission of the author. This is book number _ in an edition of 3.

This book was produced by Mae Klinger using QuarkXPress in the winter of 2005. The text is set in ten point Courier and the title and illustrations are set in eight through fourteen point Courier. Out of six copies this is number _.

This book was designed in Quark Xpress by Nicholas Russell, printed and bound in December, 2005 in the Wesleyan Printshop. It is intended to play with the way The Book of Sad is read, with each page designed to enhance the meaning or feeling of the text. It's production is dedicated to Emma Norman.