Box 21

This book was printed by Samantha Sommers, in the CFA at Wesleyan University, December 2008, the type is set in Univers 55 Oblique sizes 48pt and 10pt, the book is bound as a set of four nested octavo signatures, with handmade endpapers printed from woodcuts burned in the Woodshop by the new Laser Cutter

This book was designed by Jonathan Lee Rossi in December 2008 at Wesleyan University. The type was set in 9/14 Univers 55 in QuarkXPress version 7. The title of the book was set in 32/35 Helvetica Bold. The illustrations are from Ikea assembly instruction manuals.

This book was printed at Wesleyan University in December of Two Thousand and Eight. Illustrated by Andreas Gurewich Designed by Vladimir Gurewich

This book was printed at Wesleyan University in December of Two Thousand and Eight. Illustrated by Andreas Gurewich Designed by Vladimir Gurewich

This book was designed, illustrated, and bound by Josh Koenig in the Winter of 2008. The text in the book is comprised of short selections from Rem Koolhaas' larger work "Junkspace," chosen freely by the dsigner. The printing was done with the assistance of John Wareham in the Olin Library of Wesleyan University.

Push & Pull was designed and printed by Andrew Gorin in 2008 in an edition of 10 under the direction of David Schorr at the Wesleyan University Print Shop in Middletown, Connecticut. The text is set in Garamond, Helvetica and Helvetica Neue. Paper cuts were made by laser cutter with the help of Hunter Craighill.

This book was designed and printed by Kate Levy in the Wesleyan University print shop in December of 2008, using superfine paper with the text in various sizes of Adobe Garamond and Adobe Caslon. This is number 1 of an edition of 8.

This book was designed and printed by Kate Levy in the Wesleyan University print shop in December of 2008, using superfine paper with the text in various sizes of Adobe Garamond and Adobe Caslon. This is number 2 of an edition of 8.

This book was printed by Samantha Sommers, in the CFA at Wesleyan University, December 2008, the type is set in Univers 55 Oblique sizes 48pt and 10pt, the book is bound as a set of four nested octavo signatures, with handmade endpapers printed from woodcuts burned in the Woodshop by the new Laser Cutter