Box 22

This book was created by Matias Seijas at Wesleyan University during the Fall of 2009. All body copy was set in Palatino and Adobe Caslon, with the exception of the cover page which is set in Arno. There were 6 copies made of this book; this is the copy number 2.

This book was created by Matias Seijas at Wesleyan University during the Fall of 2009. All body copy was set in Palatino and Adobe Caslon, with the exception of the cover page which is set in Arno. There were 6 copies made of this book; this is the copy number 1.

Designed by Robert Alvarez This text is taken from the nineteenth chapter of Oscar wilde's only published novel, The Picture of Dorian Gray. All body text is set in Garamond, titles and page numbers are set in Bauer Bodoni. 2009

This section from Boullee's Essay. On Art was set in Bodoni and Baskerville and printed at Wesleyan University by Alyssa Marcella Hutton in 2009. 1 of 5.

Printed by Alex Mercuri during the fall of 2009. Text is extracted from "Fearsome Creatures of the Lumberwoods," written by William T. Cox and published in 1910. Illustrations are based on those by Coert Dubois. Titles are printed in Franklin Gothic Bold Condensed. Text is prnited in Franklin Gothic book.

The Letters We Never Sent is produced in conjunction with the spring 2010 Stethoscope Chapbook Series, sponsored by Stethoscope Press. Each year, The Stethoscope Chapbook Series prints eight to ten chapbooks written and edited by students at Wesleyan University in Middletown, CT.

illustration by Jason Katzenstein / designed by Cardner Clark / printed in the December of 2011 at Wesleyan University / number _

This book was designed and bound by Emily Schubert at Wesleyan University in December of 2011. It is printed using Univers typeface on Superfine paper. Of 4 editions, this is number_.

This book was created by Adam Forbes at around 6pm on a Wednesday sometime in mid December 2011. The text of the book was written by Julie Rehmeyer, and was found in the August 2011 issue of Wired Magazine. The book is written and designed in Claredon because of its formal beauty. It is printed on Mohawk Superfine. Thre are seven editions of this book and this is the _.

Designed by Cora Engelbrect / Typset in Bembo / Printed at Wesleyan University under the supervision of David Schorr in mid December, 2011 on acid-free paper. Copy _ of an edition of _/