Japan 207 tapes I and II

"Ga-gaku tapes I, II, III: contents and references, I. 1. Ettenraku in hyō-jō, preceded by netori, Everest 3322 A, bd. 1 and 2, Shiba II, 100-112, 2. the same, King Records, KC-1028, B.2, the same, 3. Ettenraku in ōshiki-chō, Everest 3322, A.4, Shiba II, 155-156, 4. the same, Japan Columbia, CL-69, #1, the same, 5. Ettenraku in banshiki-chō, Everest 3322, A.3, Shiba II, 161-162, Garfias, 240-246 [see Harich-Schneider 84 ff. for haya-yo-hyoshi rhythms], II. 1. Bairo in hyō-jō, Everest 3322, A.5, Shiba II, 84-86 [see Harich-Schneider 90 ff for tada-yo-hyõshi rhythms], 2. Somakusha in banshiki-chō, Japan Columbia, CL-69, #3, Shiba II, 315-320 [Garfias 101-104] [see Harich Schneider 70 ff for tada-yo-hyõshi rhythms], 3. Kenki-kodatsu in banshiki-chō, Japan Columbia, CL-69, #4, Shiba II, 163-165 [see Harich-Schneider 84 ff for haya-yo-hyõshi rhythms], Shiba II, 163-165, III. Ryō-ō in ichikotsu-chō, UNESCO Japan II, side A [see liner notes], a. ko-ranjo, Shiba IV, 178, b. ryō-ō ranjo (dan nos. 1, 2, 3), Shiba IV, 192-197, c. [fukiyamu-ku], Shiba IV, 201, d. sada-chō no netori, Shiba IV, 202, e. ryō-ō no ha (played twice), Shiba II, 220-226, f. ama ranjo (fragments), Shiba IV, 188-191, Garfias 199-203 [see also Harich-Schneider 20-24 and 67-69], A. Robert Garfias, Music of a thousand autumns, Los Angeles, 1975, B. Eta Harich-Schneider, The rhythmical patterns in Gagaku and Bugaku, Leiden, 1954, C. Shiba Sugehiro, Gosenfu ni yoru gagaku sofu II, IV, Tokyo 1969, 1972" (text printed on paper inside of reel-to-reel tape box); "gagaku (Etenraku); so-kyoku (Fuki, Rokudan" (text handwritten on reel-to-reel tape tail)